While the cover and title sometimes give an indication of the type of book you’ll be reading, the overall tone of the book is normally set up in the first scene. How the book will make you “feel.” Are you in the mood for something funny? You should know it from the start from the tone of your book. For instance, in Kristin Billerbeck’s “With this Ring, I’m Confused,” she opens with the heroine’s thoughts on a wedding dress. Here’s an excerpt:
“I want sequins and crystals and a bum bow the size of Brazil, leg-o'-mutton sleeves, and a train that practically explodes onto the scene. I want something that screams, I'm the bride! lost in a snow flurry of white. Bring on winter, baby! Ashley Stockingdale is getting married!”
I love that! We can tell right away this is going to be a fun read.
Colleen Coble’s book grabs me with the first punch, in Lightkeeper's Daughter, with dark skies, thunder, and an explosion! Adventure all the way!
And Denise’s love stories always make me swoon (I never say that word but it seemed appropriate here). In “A Cowboy’s Touch” we immediately know that Mom is pressuring the heroine to find a man. I know within the first couple of pages that the book will be lighthearted, fun, and more-importantly, romantic.
My opening line in Hot Flashes & Cold Cream pretty much guarantees you’re not reading Sci-Fi, Murder & Mayhem or a conquer-the-world sort of book:
“With one glance at my body in the bedroom mirror, my suspicions are confirmed. Everything has gone south--and I didn't make a reservation.”
So when writing get into the mood of your story. Music helps, or maybe going to a certain place that makes you think of your book. Right now I’m writing winter scenes, so the snow and chilled air are perfect for pushing me to write.
What helps you set your tone?
Labels: tone, Writing fiction, writing issues, writing process

I love to talk about writing because it's always fascinated me and I love the whole thought of creating something out of nothing. But do we really do that? Come up with a story, characters, situations, plot, from a vacuum? Only God can do that. We need props.
According to a news item I read yesterday, children who lied a lot when they were growing up have now been judged not to be dirty little sinners, but more creative, more intelligent, than their non-lying counterparts. Although that thought intrigues me, since I was one of those liars with a story for every situation, I still know that I was also a dirty little sinner. I lied to get out of trouble. Yes, I also made up stories, but I used many stories to my own benefit. I did, however, need my props.
For instance, there was the time I brought a friend home from school when my parents were both working. Grandma was there, but I bypassed her. I sneaked my friend out into the pasture to ride my horse--something I was never supposed to do when my parents were gone. Friend fell from horse. Grandma saw us, told my mom after my little friend had gone home. What did I do? I didn't want to be grounded from seeing my friend, so I told Mom it was another friend. Did I conjure my lies out of nothing? Of course not. I used the props at hand--my friend looked a lot like the other girl I blamed. Plus, I didn't like the other girl so much, so it didn't matter whether I saw her again. Grandma didn't buy it because she saw the girl, but even though she cried foul, Mom believed me. Her precious angel wouldn't flat out lie to her. I was a bad seed.
I still need my props. I think most writers on this blog create some kind of collage of characters for inspiration. I still have one of mine up on the wall from two years ago. Can't seem to take it down because I care about those characters and don't want to forget them, even though the unsold manuscript lies in my computer, only half completed.
I've harped on this before, but see the picture of the beautiful woman above? Most of you know that's our own Kris. Now, glance at a photo of a beautiful woman in a magazine or on television, and try to create a multi-dimensional character from that. What do you come up with?
Try it with Kris. You know her better. You read her blog every week, possibly more than one. You know something of her personality, and may know her as a close friend, as I do. How much deeper can you dig when you use a real character as a pattern for a character in your story? I realize that, at some point, your character on the page and the real Kris will have to diverge. Kris is impossible to keep on the page because she has her own mind and she simply refuses to stay there. But she can serve as a pattern for you long enough for you to develop your own character creation.
And then your character takes on life of her own, and she barely resembles Kris. Still, Kris has served as a mold for form and function, and makes your character stronger in the process. For a little while, you have almost seen from Kris Billerbeck's eyes. And of course, who wouldn't want to be as beautiful as she is?
Does this model of character creation work for you, or do you have your own methods of creating believable people in your story world?
Labels: beautiful women, Characterization, writing issues